Conditions of Use
The author seems to have a very general knowledge of the subject; although he is a scholar of religion, it seems he is not a scholar of music; his approach to music is rather general and amateurish. He seems to rely on secondary sources a lot: the... read more
The author seems to have a very general knowledge of the subject; although he is a scholar of religion, it seems he is not a scholar of music; his approach to music is rather general and amateurish. He seems to rely on secondary sources a lot: the book does a good job of sending students to these.
It skips Eastern Christianity almost completely and overall it stays at a very general/superficial level.
There is no glossary or index provided.
Yes the content is overall accurate and unbiased but I am not sure how informative is it given that it is so general and paints in such broad strokes.
The content is relevant but it stays at a very superficial level: it offers generalizations and broad observations about the influence of the Bible in music.
I do not believe this is enough for a textbook.
The content is up to date and does connect to a variety of resources; in many ways this is what this book does best; it provides a plethora of resources in various formats.
The text is written lucidly and clearly; it is easy to follow but it does not go into too much depth.
The book is not very consistent, rather it appears more random: it seems the author collects his ideas and comments about the subject. Some of these are interesting but it is not enough for a text book.
A constant refrain of the book is ‘this is complex and we cannot do it justice.’ Thus the book stays at an overall superficial level.
The text provides very good modularity; it uses a variety of divisions in order to enhance organization and clarity.
It is overall good with one proviso: it skips from early Christianity and Judaism to Protestantism; this hiatus is between chapters 3 and 4. This historical gap breaks the narrative; it will be hard for students to see the continuity.
Generally the organization seems a little random: e.g. part III, People and Genre: why not have separate chapters? As it is this part seems random and confusing. It talks about people and suddenly it goes into genres.
The interface of the text is excellent; it makes very good use of technology and of graphic features to enhance the accessibility; it includes many hyperlinks [maybe too many].
The text contains no grammatical errors.
The text is not culturally insensitive...to the contrary! Nevertheless it is focused on Western religion; one wished a little more branching out and discussions of Eastern forms of Christianity or Christianity in other parts of the world.
To have a textbook connecting the study of the Bible and its influence is a great idea and this textbook is a very nice beginning; however it needs improvement: especially the first and third part of the book; in the first part, the historical continuity has to be developed a little more.
Besides the part which focuses on people, a part which could focus on genre could be added.
One option is to have two authors: the current one as scholar of the Bible and a scholar of music who is aware of the historical, stylistic and genre complexities and is able to convey this to the audience.
Table of Contents
- Publisher's Note
- 1. Ancient Music behind and in the Bible
- 2. Chanting in Synagogues
- 3. Chanting in Churches
- 4. The Protestant Reformatiion and Metrical Psalms
- 5. Spirituals
- 6. Contemporary Christian Music
- 7. Creation
- 8. Psalms
- 9. Isaac and Family
- 10. Exodus
- 11. King David (and His Famlily, Friends, and Enemies)
- 12. Elijah
- 13. Romance in the Bible? Ruth and Boaz, Samson and Delilah
- 14. Songs of Songs
- 15. Esther
- 16. Salome
- 17. The Magnificat and Nunc Dimittis
- 18. Our Father
- 19. Revelation
- 20. Alleluias and Allusions
- 21. Biblical Music without Words
- 22. Bringing Texts Together
- III. People and Genres
- 23. Hildegard of Bingen
- 24. Salamone
- 25. Johann Sebastian Bach
- 26. Passions: Bach and Beyond
- 27. The Bible as Musical, Oratorio, and Opera
- 28. Handel's Messiah
- 29. Lilii Boulanger
- 30. Arnold Schoenberg
- 31. John Rutter
- 32. Christmas Carols
- 33. Arvo Part
- 34. Andrea Clearfield
- 35. Roxanna Panufnik
- Appendix 1: Paths through This Book
- Appendix 2: Making Music with Apps, Websites, and Software
- Appendix 3: For Further Listening
- General Bibliography
- Media Bibliography
Ancillary MaterialSubmit ancillary resource
About the Book
The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Text of the Hebrew Bible have been interpreted as musical symbols, how chanting of biblical texts has featured liturgically in synagogues and churches, the impact of the Protestant Reformation, and musical developments in North America as enslaved Africans encountered biblical texts and stories. Part 2 focuses on specific texts in Jewish and Christian scripture and looks at how they have been interpreted through the process of setting them to music, including the soundtracks of cinematic depictions of biblical narrative and allusions to the Bible in popular music. Part 3 focuses on composers from the Middle Ages all the way down to the present day. Throughout the book, musical examples are not merely mentioned but embedded so that reading and listening may be seamlessly combined. The book does not presume prior knowledge of either music or the Bible, and additional links within the text provide definitions and further explanations for those who need or desire them.
About the Contributors
Dr. James F. McGrath is the Clarence L. Goodwin Chair in New Testament Language and Literature at Butler University in Indianapolis. A specialist in New Testament and early Christianity, he has also worked extensively on the intersection of religion and popular culture and the reception of the Bible in both music and film.