Polyphony: Reader and Explorations for First-Year Writing
Jennie Snow, Montclair State University
Elise Takehana, Fitchburg State University
Diego Ubiera, Fitchburg State University
Copyright Year:
Publisher: ROTEL
Language: English
Formats Available
Conditions of Use
Attribution-NonCommercial-ShareAlike
CC BY-NC-SA
Reviews
The text offers enough readings, links to multi-modal materials, and activities to engage a first-year writing class; however, this is a reader, with a focus on multilingualism, language, power, and identity, not a guide or handbook. Instructors... read more
The text offers enough readings, links to multi-modal materials, and activities to engage a first-year writing class; however, this is a reader, with a focus on multilingualism, language, power, and identity, not a guide or handbook. Instructors looking for an all-in-one reader, handbook, and introduction to college writing would need to supplement this text with other resources. The text includes a table of contents, as well as hashtags that function similar to an index or glossary.
The content seems accurate. In some places, the authors intentionally question the accuracy of the ideas from readings or other materials to help students with information literacy. For example, in the “Against-the-Grain” module, the authors link a TEDx talk about grammar and identity to an activity with audience responses critical of the talk and discussion questions about these critiques.
The readings, texts, and activities explore both contemporary events (language policy in Hawai’i and Haiti, for example) and historical ones (Haitian revolution), often finding ways to contextualize current topics through activities and discussion questions. Many of the activities include work with poetry that might appeal more to users interested in literature. That said, the topics covered in the material (including the poems) are relevant to most students’ lives, especially to multilingual and under-represented students.
The tone and writing are both clear and accessible. At the same time, the authors introduce challenging concepts.
I didn’t notice any issues in consistency.
Effective modularity: an instructor can easily incorporate a single activity or writing project into their class. Each module includes an introduction, providing background and context about the materials and topic for both the student and instructor.
The table of contents organizes the material into two categories “Readings” (texts) and “Explorations” (activities and other related texts). This structure allows users—both teacher and student—flexibility in how and how much to use the text. The authors also organize by hashtags, including both conventional categories, such as grammar, and more conceptual categories, such as colonialism and personal-is-political.
All the links I accessed functioned, and the interface is easy to use. Reading the introduction on how to use the book helps.
I didn’t notice any grammatical errors.
I appreciate the critical perspective on language and identity that permeates all the materials gathered in the text and the focus on multilingualism and inclusivity.
This multi-modal text is a useful addition to available OERs for first-year writing, offering innovative ways to connect and use different types of materials on challenging but important and relevant topics.
Table of Contents
- Acknowledgements
- How to Use This Book
- Polyphony: A Meditation
- List of Hashtags
- I. Reader
- "As a Child in Haiti, I Was Taught to Despise My Language and Myself,” Michel DeGraff
- “Asters and Goldenrod,” Robin Wall Kimmerer
- “Connecting the Dots,” Bassey Ikpi
- “The Contract Says: We’d Like the Conversation to be Bilingual,” Ada Limón
- “Grammar, Identity, and the Dark Side of the Subjunctive,” Phuc Tran
- “Gun Bubbles,” Margrét Ann Thors
- “How to Tame a Wild Tongue,” Gloria Anzaldúa
- “Place Name: Oracabessa,” Kei Miller
- “Puerto Rican Obituary,” Pedro Pietri
- “Saving a Language You’re Learning to Speak,” NPR Codeswitch
- “Skin Feeling,” Sofia Samatar
- “Three Ways to Speak English,” Jamila Lyiscott
- "To Speak is to Blunder," Yiyun Li
- “The Transformation of Silence into Language and Action,” Audre Lorde
- “Vão/Vòng A Conversation with Katrina Dodson,” Madhua Kaza
- II. Explorations
- Against the Grain: Listening for Controversy
- Aphoristic Translation
- Body as Metaphoric Space
- Building an Opinion
- Collage: Found, Donated, Repeated with Difference
- Critical Learning Reflection
- Dialogue Over Time: A New Boogaloo: “How Beautiful We Really Are”
- Emotion in Language
- Historical Contexts
- Indigenous Perspectives of Western Science
- Insufficient Definitions
- Juxtapositions of Silence
- Language Life Story
- Music Trails
- Parsing Themes
- Poetry and Science: Epistemology through Language
- The Point of Education?
- Reading the “Fine Print”
- Self Reflection, Collective Change
- Tracing Citations
- Transculturation, Language and South-South Migration
- Translations Across and Within Languages
- Work Culture Reexamined
- Contributors
- Works Used In This Book
Ancillary Material
Submit ancillary resourceAbout the Book
Polyphony is a functional, creative, and radical resource for facilitating critical conversations about multilingualism, the politics of language, and linguistic justice in the first-year writing classroom. Texts and activities explore diverse perspectives on themes like silencing/voicing, language extinction and reclamation, (in)visibility, translation, agency, and validation, among others. Designed for use by both instructors and students, this book is meant to be used in a variety of combinations and highlights multiple modes of writing, including personal narrative, textual analysis, argumentation, reflection, and research. Embracing a “polyphonic” approach to first-year writing, this book presents connections between texts, authors, and ideas that actively engage students and instructors in critical conversations about language, education, and the institutionalization of both.
About the Contributors
Authors
Jennie Snow has taught reading, writing, and literature courses in higher education and adjacent spaces, including a community education non-profit and prison education projects in WA and NJ. She found her way to teaching by first working as a writing center tutor which taught her the value of dialogue, experimentation, collaboration, and peer expertise. She is currently an Assistant Teaching Professor at Montclair State University where she teaches first-year writing.
Elise Takehana has been teaching first-year writing for 18 years and loves to fold in the politics of aesthetics and focus on the impact of medial, compositional, and linguistic choices with her students. She wants her classrooms to be spaces for experimentation, play, and risk-taking that embrace collaborative thinking and deep revision over time. Her research interests are eclectic, but include contemporary print and digital literature, digital humanities, stylometry, media studies, data studies, and the rhetorics and politics of design.
Diego Ubiera has been teaching since 2006. He has taught at the University of California, San Diego, Fort Lewis College and Fitchburg State University. His research and teaching interests focus on Latin American and Caribbean literature, Multi-Ethnic Latin American Literature, Spanish and Latin American Film and Critical Pedagogy. He is currently Associate Professor of Latin American and World Literatures at Fitchburg State University.