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    Read more about Polyphony: Reader and Explorations for First-Year Writing

    Polyphony: Reader and Explorations for First-Year Writing

    (1 review)

    Jennie Snow, Montclair State University

    Elise Takehana, Fitchburg State University

    Diego Ubiera, Fitchburg State University

    Copyright Year:

    Publisher: ROTEL

    Language: English

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    Conditions of Use

    Attribution-NonCommercial-ShareAlike Attribution-NonCommercial-ShareAlike
    CC BY-NC-SA

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    Reviewed by Anne-Marie Pedersen, Seminar and Writing Instructor, Southern Oregon University on 12/19/24

    The text offers enough readings, links to multi-modal materials, and activities to engage a first-year writing class; however, this is a reader, with a focus on multilingualism, language, power, and identity, not a guide or handbook. Instructors... read more

    Table of Contents

    • Acknowledgements
    • How to Use This Book
    • Polyphony: A Meditation
    • List of Hashtags
    • I. Reader
    • "As a Child in Haiti, I Was Taught to Despise My Language and Myself,” Michel DeGraff
    • “Asters and Goldenrod,” Robin Wall Kimmerer
    • “Connecting the Dots,” Bassey Ikpi
    • “The Contract Says: We’d Like the Conversation to be Bilingual,” Ada Limón
    • “Grammar, Identity, and the Dark Side of the Subjunctive,” Phuc Tran
    • “Gun Bubbles,” Margrét Ann Thors
    • “How to Tame a Wild Tongue,” Gloria Anzaldúa
    • “Place Name: Oracabessa,” Kei Miller
    • “Puerto Rican Obituary,” Pedro Pietri
    • “Saving a Language You’re Learning to Speak,” NPR Codeswitch
    • “Skin Feeling,” Sofia Samatar
    • “Three Ways to Speak English,” Jamila Lyiscott
    • "To Speak is to Blunder," Yiyun Li
    • “The Transformation of Silence into Language and Action,” Audre Lorde
    • “Vão/Vòng A Conversation with Katrina Dodson,” Madhua Kaza
    • II. Explorations
    • Against the Grain: Listening for Controversy
    • Aphoristic Translation
    • Body as Metaphoric Space
    • Building an Opinion
    • Collage: Found, Donated, Repeated with Difference
    • Critical Learning Reflection
    • Dialogue Over Time: A New Boogaloo: “How Beautiful We Really Are”
    • Emotion in Language
    • Historical Contexts
    • Indigenous Perspectives of Western Science
    • Insufficient Definitions
    • Juxtapositions of Silence
    • Language Life Story
    • Music Trails
    • Parsing Themes
    • Poetry and Science: Epistemology through Language
    • The Point of Education?
    • Reading the “Fine Print”
    • Self Reflection, Collective Change
    • Tracing Citations
    • Transculturation, Language and South-South Migration
    • Translations Across and Within Languages
    • Work Culture Reexamined
    • Contributors
    • Works Used In This Book

    Ancillary Material

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    About the Book

    Polyphony is a functional, creative, and radical resource for facilitating critical conversations about multilingualism, the politics of language, and linguistic justice in the first-year writing classroom. Texts and activities explore diverse perspectives on themes like silencing/voicing, language extinction and reclamation, (in)visibility, translation, agency, and validation, among others. Designed for use by both instructors and students, this book is meant to be used in a variety of combinations and highlights multiple modes of writing, including personal narrative, textual analysis, argumentation, reflection, and research. Embracing a “polyphonic” approach to first-year writing, this book presents connections between texts, authors, and ideas that actively engage students and instructors in critical conversations about language, education, and the institutionalization of both.

    About the Contributors

    Authors

    Jennie Snow has taught reading, writing, and literature courses in higher education and adjacent spaces, including a community education non-profit and prison education projects in WA and NJ. She found her way to teaching by first working as a writing center tutor which taught her the value of dialogue, experimentation, collaboration, and peer expertise. She is currently an Assistant  Teaching Professor at Montclair State University where she teaches first-year writing.

    Elise Takehana has been teaching first-year writing for 18 years and loves to fold in the politics of aesthetics and focus on the impact of medial, compositional, and linguistic choices with her students. She wants her classrooms to be spaces for experimentation, play, and risk-taking that embrace collaborative thinking and deep revision over time. Her research interests are eclectic, but include contemporary print and digital literature, digital humanities, stylometry, media studies, data studies, and the rhetorics and politics of design.

    Diego Ubiera has been teaching since 2006.  He has taught at the University of California, San Diego, Fort Lewis College and Fitchburg State University.  His research and teaching interests focus on Latin American and Caribbean literature, Multi-Ethnic Latin American Literature, Spanish and Latin American Film and Critical Pedagogy.  He is currently Associate Professor of Latin American and World Literatures at Fitchburg State University.

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