Mythology Unbound: An Online Textbook for Classical Mythology

Reviewed by Peter laws, Instructor, Radford University on 7/15/24

Comprehensiveness rating: 3 see less

Almost assigned a '4.' does the most famous of myths but in a traditional way. Dray in places; I ask, couldn't any dictionary of myths cover these myths

Content Accuracy rating: 4

I'm no expert; the accuracy seemed fine.

Relevance/Longevity rating: 3

I often question the relevance of Greek mythology altogether. The book does little to discuss the sexism in myths or more than touch on current relevance.

Clarity rating: 5

structurally, was well organized and easy to follow.

Consistency rating: 5

the text was well organized and clear in its aproach.

Modularity rating: 5

yes, I thought the sections were well-reasoned and worthwhile

Organization/Structure/Flow rating: 4

the same comment, I guess: yes, I thought the sections were well-reasoned and worthwhile. Parts are organized alphabetically. Students might enjoy themes; e.g. Trojan War; Women, Heroes a bit more

Interface rating: 5

good graphics. Some bright thoughts; e.g. "what is a myth" and "Why ... so many versions..."

Grammatical Errors rating: 5

I teach grammar and it did well.

Cultural Relevance rating: 3

I think 'women' and 'rape' and 'patriarchy' are cultural concepts that were not explored sufficiently.

Comments

Perhaps better as an ancillary textbook than a main textbook. Perhaps better for high school than college, since it is direct and traditional.

Reviewed by Martin Gallagher, Assistant Professor of Classical Studies, University of Texas at Arlington on 3/13/24

Comprehensiveness rating: 3 see less

The book is structured by mythological characters and select thematic issues, organized alphabetically. Though billed as a textbook, it thus serves as more of a companion that would best be supplemented by translations of primary texts, discussion of material evidence and some secondary readings on key topics. This is not necessarily a limitation as many mythology textbooks are cumbersome, and overly definitive in their interpretation of stories. The presentation of this volume may help teachers to structure teaching based on their unique specializations, and students to form their own questions.

The authors treat their chosen subjects thoroughly, so my only reservation about 'comprehensiveness' is that the book would require supplementation. The introductions provided to the Iliad, Odyssey and Oresteia suggest that portions of these texts would be read alongside this book. The Oedipus myth is not treated in great detail, so this might also be supplemented with excerpts from Sophocles' Theban plays. Although the text is well-illustrated, many of the images are not ancient. This is not in itself a defect, as the afterlife of myth raises a number of interesting questions, but some contextualization of both myth in ancient art and the nature of later representations would have been welcome. More discussion of the nature of myth-making and cross-cultural comparison, especially of origin myths, would also be a necessary supplement for balance and comprehensiveness.

Content Accuracy rating: 5

Other than the omissions noted above, there are no significant problems with accuracy of the material presented.

Relevance/Longevity rating: 5

The organization and lack of interpretative baggage has the benefit of ensuring the book will remain relevant.

Clarity rating: 5

The book is highly readable and uses straight-forward prose.

Consistency rating: 5

The terminology and framework is used consistently throughout the book.

Modularity rating: 4

The topic-oriented organization and short chapters provide sufficient modularity. However, they would somewhat constrain alternative modes of presenting the material more thematically or chronologically.

Organization/Structure/Flow rating: 4

The book is organized in the manner indicated above. Individual teachers will select how to organize the readings on their syllabi.

Interface rating: 5

The book is easy to access and read, and has a number of clear, high-quality illustrations.

Grammatical Errors rating: 5

The book contains no significant grammatical errors.

Cultural Relevance rating: 4

Greco-Roman mythology could be better situated in light of the Greeks' Near Eastern inheritance. This is another aspect that might be handled with appropriate supplementary reading.

Reviewed by Peter Laws, Instructor, Radford University on 11/1/23

Comprehensiveness rating: 3 see less

I would have liked more on a) origins b) the influence of Greek & Roman on later art? literature? c) Homer & Ovid

Content Accuracy rating: 5

Did well. Arranged in a bit of an encyclopedia - alphabetic - order, it will make a great reference text for me.

Relevance/Longevity rating: 3

Classic mythology doesn't much lend itself to updates! A section on the influence of Greek & Roman on later art and literature could be timely.

Clarity rating: 4

Excellent sections on individuals and individual myths. I might have suggested subtitles? and shorter paragraphs.

Consistency rating: 4

was quite easy to 'thumb through' or 'search.'

Modularity rating: 3

Once we agree that it is useful as a dictionary or encyclopedia, it did fine. Wouldn't be my first pick as a main textbook - I would have had 'orgins' first, for example.

Organization/Structure/Flow rating: 5

Was quite easy to find a particular myth or hero. loved the art.

Interface rating: 4

A clear and consistent pattern.

Grammatical Errors rating: 5

I didn't note any errors.

Cultural Relevance rating: 3

Well, the title is 'classical' - for me, I would have liked more references to international myths and themes.

Comments

Am so glad I learned about this book! I'll use it next semester!

Reviewed by Sarah Herbert, Adjunct Lecturer, University of Mary Washington on 6/10/22

Comprehensiveness rating: 4 see less

This book covers much of the material for a basic Greek mythology course: the Olympian gods, the major Greek heroes, and the most commonly presented Greek epics (Iliad, Odyssey, Argonautica). One notable omission is the full story of Oedipus. It mostly omits any reference to distinctively Roman gods, practices, and stories. Its entries do a good job of presenting an easy-to-read overview of a well-known version of each covered topic, with occasional references to alternate versions. There are no citations explaining which version comes from which source, and very few references to any ancient sources. The text includes a map of Greece and Asia Minor (only), and a good selection of illustrations. The text acknowledges that it does not attempt a serious overview of theoretical or scholarly approaches to myth.

Content Accuracy rating: 3

I understand the impulse to simplify the historical aspects of ancient religion and culture, but sometimes this book goes too far. For example, the text might leave the reader with the impression that that Dionysus’ worshippers always performed their sacrifices in a unique way, by tearing animals limb from limb. However, most civic worship of Dionysus occurred through the usual practice of animal sacrifice.

Relevance/Longevity rating: 5

The overviews of ancient myth will not date.

Clarity rating: 5

The entries are written in clear, simple prose.

Consistency rating: 4

The text is consistent, though the useful entry on the story pattern of the Greek hero may be over-influenced by Joseph Campbell. Greek heroes do not always have a heroic journey motivated by a “noble cause” – and the text’s entry on Heracles, the most important Greek hero, is a good example. This could be a good jumping off point for a class discussion.

Modularity rating: 5

The text uses an encyclopedia format, organizing its mythical topics into alphabetical order. These topics could be presented in any order the instructor wishes. It isn't a flaw that most of the entries are linked to other entries, as that is the nature of Greek mythology -- the various gods, heroes, and themes discussed in the text are interrelated, making the cross-references necessary. Users will need the entire text to be available to them.

Organization/Structure/Flow rating: 5

The e-book's organization works very well. The text’s alphabetical organization of topics is easy to follow, and I had no difficulty located subtopics using the online / e-book's search function. However, there is no index. It might be difficult to locate a subtopic (e.g., "Daphne" or "satyr") without the electronic search function. For this reason, I would not recommend using this text in a print version.

Interface rating: 5

The interface for the online / ebook version works well.

Grammatical Errors rating: 5

The entries are written in clear, grammatical prose.

Cultural Relevance rating: 4

Greek mythology presents some difficult topics. This text does not omit the rapes of mortals and lesser beings (usually female) by gods (usually male), but it downplays those stories through a lack of detail and separate treatment. Much of the story of Oedipus is omitted, and a search for the word “incest” turned up no results. Although the text does include some instances of the killing of children (Iphigenia, Medea’s children), it omits others (Polyxena, Astyanax, the children of Thyestes).

Comments

This text could be a good source of background material for an introductory course in Greek mythology or English literature, with entries giving helpful overviews of complex topics and of narratives like the Iliad and Odyssey. It is not suitable for a primary textbook, given the lack of ancient sources, historical background, and theoretical discussion.

Reviewed by Stephanie Pesce, Adjunct Professor, English, Middlesex Community College on 5/24/21

Comprehensiveness rating: 3 see less

The book was a fairly comprehensive collection of key mythological figures from Greek culture. As a supporting text or dictionary/glossary, this is very useful, with only minor omissions (there were a few figures I would have liked mentioned who were left out, but a 100% inclusive discussion of Greek mythology would be overwhelming, so I understand why some characters did not make it). However, there was no continuity and little discussion of the importance of myths or their link to modern day. One segment, entitled "Why Are There So Many Greek Myths?", began to touch on the ripple impact Greek culture had on other developing societies, but it does not go far enough and it falls at the end of the collection, as does the definition of myth, which would have served as a solid foundation for an introduction, had there been one.

Content Accuracy rating: 5

Those characters who were listed were explained accurately and fairly. I did not notice any errors with the characters, beyond some omissions and a lack of multiple discussions (i.e., adding "in some versions of this myth..." so that different perspectives could be shared and understood).

Relevance/Longevity rating: 3

Mythology will always be relevant, so this material will not grow outdated; but the collection does not really address its ongoing relevance, aside from a nod to superheroes at the end. A segment on this thread and continued importance would have added value. Again, the actual material will not become obscure and has durability, so it is useful in that respect.

Clarity rating: 4

The material is clearly written and effective in its presentation and organization. It is brief but concise/clear.

Consistency rating: 4

It was consistently organized and the language and terms that were used did not deviate and vary greatly. It sounded like one author pulled all of this together and kept a consistent fluidity.

Modularity rating: 5

The text is intuitively divisible into smaller reading sections and is set up much like a dictionary. As a dictionary/glossary, it is useful.

Organization/Structure/Flow rating: 4

The organization of the material in a dictionary-style set-up was intuitive and easy to follow. It did not really make sense to have the definition of mythology at the end rather than the beginning.

Interface rating: 5

I liked the inclusion of links, maps, and outside information and images. I found the interface intuitive and engaging, and as a basic framework for understanding mythology and getting to know characters, this worked well.

Grammatical Errors rating: 5

The grammar and spelling is accurate. I did not notice typos or formatting mistakes even when looking closely for them. Good use of commas, apostrophes, and semicolons.

Cultural Relevance rating: 2

The title of the book suggests it will include other cultures aside from Greek. Not only is the material exclusively Greek-based, but there is limited discussion of other versions/iterations or comparable figures in other cultures.

Comments

I think this is a tremendously useful guide to characters and should be reframed as such rather than positioned as an Unbound/Online Textbook for Classical Mythology. Renaming it "A Dictionary of Greek Mythological Characters" would be more accurate and reflective of the material's purpose and applications. I could adopt/include this in my online Mythology class as a valuable and vibrant supplement, but this could not replace any of the textbooks I am currently using. It would serve as a supplement.

Reviewed by Dshane Petersen, Associate Professor of Humanities and English, Community College of Denver on 3/21/20

Comprehensiveness rating: 3 see less

The text covers a wide array of Greek myth, but I'd like to see more info. on theory and analytic practices within mythology. Maybe useful for a Junior High or High School class but not college.

Content Accuracy rating: 3

The stories are more or less accurate tellings of the Greek myths, but do little to cover the many variations. And what little theory is discussed isn't up to date.

Relevance/Longevity rating: 1

Really doesn't mention any of the current trends in thought concerning mythology scholarship.

Clarity rating: 5

Easy to read.

Consistency rating: 3

Not sure consistency is a relevant issue. This is mostly a survey of Greek mythical stories.

Modularity rating: 5

Yes, well organized to use, perhaps, as a reader, to supplement another more scholarly text.

Organization/Structure/Flow rating: 5

Easy to navigate.

Interface rating: 4

Nothing I found distracting.

Grammatical Errors rating: 5

No errors found.

Cultural Relevance rating: 2

Doesn't discuss any of the issues surrounding cultural appropriation that are common in mythological studies today.

Comments

As mentioned in another comment, this text might be useful as a reader in conjunction with another text more up to date on current theory and scholarship.

Reviewed by Jeana Jorgensen, Instructor, Butler University on 11/26/19

Comprehensiveness rating: 4 see less

This is a very comprehensive listing of the major figures of Greek mythology, complete with references to source texts, summaries of certain key narratives, and parallels to ancient Roman and Near Eastern mythology. Some minor deities were omitted - such as Eos, goddess of the dawn - but for the most part, readers will gain a thorough understanding of the contours of Greek mythology. In some ways, though the listing of gods and heroes was already quite extensive, the book would have benefited from more material, such as an introduction tying everything together (which would help out newcomers to the topic). Additionally, more attention to scholarship from related disciplines like folklore studies and religious studies would have provided a more well-rounded approach to myth (e.g., the section on the hero's life journey only references the work of Joseph Campbell, who while popular does not encompass the breadth of scholarship on heroic narratives; see for example the compilation by Alan Dundes, In Quest of the Hero, which brings together classic works by Otto Rank and Lord Raglan on patterns in the lives of famous heroes from folklore and mythology, many of them Greek or Roman).

Content Accuracy rating: 5

The book does an excellent job of accurately summarizing and describing major events and figures in Greek mythology.

Relevance/Longevity rating: 5

Since the source texts are so ancient, the book's content is not going to need much updating, unless the authors decide to add some supplementary material as recommended above, both to provide some useful framing for newcomers to the topic and to take into account relevant scholarship from related disciplines.

Clarity rating: 5

The book is written in clear, easy-to-understand language, though the style occasionally bounces between formal and informal language. There are a few short segments that seem like they came from the authors' notes when pairing this material with lesson plans, such as asking about the Aegis: "Can you explain what it means and how its current usage is connected to its mythological origin?" This is a bit jarring since it only appears in a few sections.

Consistency rating: 4

The book is overall consistent, though some entries are much shorter or longer than others as dictated by how important that figure was in Greek mythology and how many recorded narratives survived about them. The entries for deities are formatted differently from the entries for mortals (or those of half-mortals/half-gods...it gets complicated) in that they also have sections about that deity's symbols, epithets, Roman name(s), functions, and origins. This last part would have benefited from a little clarification, because every deity's origin story in the content of the myth (as in, the story told about that deity's birth, early life, etc.) differs from the textbook's take on their "Origin" (as in, possible historical and/or mythological underpinnings to their story, such as whether they're thought to have assimilated from the Near East into Greece).

Modularity rating: 4

On the one hand, this is a perfect example of modularity, as the individual sections can be easily excerpted if an instructor is doing a unit about certain deities or figures from Greek mythology. On the other hand, so many of the entries are cross-referenced with one another that it would make excerpting a little difficult (the instructor might have to replace links to other entries with brief footnotes if they decided to do a print version of the excerpts in a course reader). And this makes sense, because so many of the gods and other figures of Greek mythology are so densely intertwined. This is also a strong argument for assigning the book, whether in whole or in part, through the online portal to the e-book version, so that students can easily click around and follow links to other sections, even if those sections are not being assigned.

Organization/Structure/Flow rating: 5

The deities and figures are listed alphabetically, which makes about as much sense as any other method of organizing a series of densely interlinked topics. One other way to do it would have been to separate the sections into gods, humans, and monsters, though this would create some problems for the demi-gods and the like, given that Greek mythology is full of hybridity.

Interface rating: 5

Based on the e-book version, the interface is easy to navigate and consistent across all the links.

Grammatical Errors rating: 5

I did not notice any grammatical errors. However, the book seems to be coauthored and there was at least one "I" sentence.

Cultural Relevance rating: 4

Writing about Greek mythology necessitates writing about war, violence, rape, infanticide, and other potentially difficult or taboo topics. The authors seemed to handle these topics well for the most part, though sometimes rape was identified as such and sometimes it was called abduction or seduction instead.

Comments

To me, this text seems like it would be ideal when paired with other texts, or when framed by the instructor with a good deal of supplementary information and guidance. As a folklorist with knowledge of Greek mythology, I was able to navigate the text pretty easily, plus I learned a few new things, but I could imagine someone with absolutely no knowledge of Greek mythology feeling a bit overwhelmed by the "information dump" aspect to this guide. And it's not the textbook's fault - it is an online textbook for classical mythology after all - but I think this textbook would be the most helpful to students who are already on their way to having some experience with the figures from Greek mythology. For instance, it might make sense to assign this textbook as a companion to reading The Iliad or The Odyssey, or as in a course where there are tons of allusions to classical mythology in the various works being assigned, in order to help students gain a sense of the intertextual links in those allusions.