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Graphic Design and Print Production Fundamentals

(6 reviews)

Wayne Collins, British Columbia Institute of Technology

Alex Haas, Emily Carr University

Ken Jeffery, British Columbia Institute of Technology

Alan Martin, British Columbia Institute of Technology

Roberto Medeiros, Ricoh Canada

Steven Tomljanovic, British Columbia Institute of Technology

Pub Date: 2015

Publisher: BCcampus

Language: English

Conditions of Use

Attribution
CC BY

Reviews

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Reviewed by Sasa Miljevich, Adjunct Instructor (Fine Art), Portland Community College on 8/3/18

The Text is comprehensive in coverage of key ideas and concepts related to graphic design. First Chapters give a solid introduction to history of graphic design and design process. Latter chapters are intended for more advanced students and are... read more

 

Reviewed by Lisa Waananen Jones, Clinical Assistant Professor of Communication, Washington State University on 5/22/18

The topics covered in this book are comprehensive, but vary in the level of detail and intended audience. It it more of a theoretical guide for the design process, and a technical guide for the printing process. The early chapters about graphic... read more

 

Reviewed by Colleen Reilly, Professor, University of North Carolina Wilmington on 5/22/18

Approaching design as a problem-solving process is useful and relevant for a range of disciplines and knowledge levels. The coverage of visual elements, compositional principles, and organizational principles is very thorough and provides a... read more

 

Reviewed by Eileen Walsh, Learning Technologist, National University or Ireland, Galway on 2/2/18

This book has some great chapters on the process of concept development and design, that give a great introduction to the design process. The section on design seems to speak to beginners and gives them a good introduction to design and I feel... read more

 

Reviewed by Elizabeth Viall, Assistant Professor, Colorado State University-Pueblo on 2/2/18

This textbook covers a wide variety of subjects within it's stated purpose. In some areas, it is comprehensive - color management systems - while in others somewhat more cursory - typefaces. The book does have a glossary at the end . There is no... read more

 

Reviewed by Melinda Benton, Associate Professor, Umpqua Community College on 12/6/16

This book gives an introduction to some key principles in graphic design, in printing, and in design business management. It gives an introduction, not a comprehensive study of any of those three fields. Some sections are written to a beginning... read more

 

Table of Contents

Chapter 1: Design History
1.1 Introduction
1.2 William Morris and the Arts & Crafts Movement
1.3 Deutscher Werkbund
1.4 Bauhaus
1.5 Dada
1.6 International Typographic Style
1.7 Late Modern | New York Style
1.8 Post Modern
1.9 Summary

Chapter 2: Design Process
2.1 Introduction
2.2 Design Research and Concept Generation
2.3 Define
2.4 Research
2.5 Develop Concepts
2.6 Implement Solutions
2.7 Summary

Chapter 3: Design Elements, Design Principles, and Compostitional Organization
3.1 Introduction
3.2 Visual Elements -- Basic Things That Can be Seen
3.3 Compositional Principles -- Strategies for Arranging Things Better
3.4 Organizational Principles
3.5 Summary

Chapter 4: Colour Management in the Graphic Technologies
4.1 Introduction
4.2 Colour Science
4.3 Measuring Devices
4.4 Lab Colour Space and Delta E Measurements
4.5 Working with a Spectrophotometer to Read Standard Colour Charts for Output Profiling
4.6 The Measurement File's Role in Colour Profiling
4.7 Profile Creation
4.8 Beyond Output Profiling: Display, Input, and Device Link Profiles
4.9 A Review of the Profile Classes
4.10 The Components and Purpose of a Colour Management System
4.11 Applying Colour Management in the Adobe Creative and Kodak Prinergy Software
4.12 Summary

Chapter 5: Pre-Press
5.1 Introduction
5.2 Raster Image Processing
5.3 Colour
5.4 Trapping
5.5 Transparency
5.6 Imposition
5.7 Preflight
5.8 Summary

Chapter 6: Imaging
6.1 Introduction
6.2 Inkjet
6.3 Electrophotography
6.4 Electrophotographic Process
6.5 Paper Basics
6.6 Page Description Languages
6.7 Variable Data Printing
6.8 Summary

Chapter 7: Web2Print
7.1 Introduction
7.2 E-commerce for Print Manufacturing
7.3 Web2print Strategies and Goals
7.4 Implementation and Workflow Considerations
7.5 Summary

Glossary
About the Authors

About the Book

This textbook -- written by a group of select experts with a focus on different aspects of the design process, from creation to production -- addresses the many steps of creating and then producing physical, printed, or other imaged products that people interact with on a daily basis. It covers the concept that, while most modern graphic design is created on computers using design software, the ideas and concepts don't stay on the computer. The ideas need to be completed in the computer software, then progress to an imaging (traditionally referred to as printing) process. Keywords are highlighted throughout and summarized in a Glossary at the end of the book, and each chapter includes exercises and suggested readings.

About the Contributors

Authors

Wayne Collins completed his Bachelor of Arts in English Language Studies at the University of Regina while concurrently completing a traditional five-year trades apprenticeship in pre-press with the Graphic Arts Union. He moved to Vancouver in 1985 and worked at Zenith Graphics, first as a film stripper and camera operator, and later as a computer systems operator and manager. He moved to Creo in their formative years and helped champion their computer to plate systems across North America. Before starting the Graphic Communications Diploma Program at British Columbia Institute of Technology in 2006, Wayne managed the pre-press department at Hemlock Printers in Vancouver for 15 years.

Alex Haas is a multidisciplinary designer, illustrator, and artist. Her design practice encompasses art direction, typeface design, and image creation. She has a special fondness for book design. She has partnered with Canadian publishers, art galleries, artists, universities, furniture makers, filmmakers, First Nation educators and historians, musicians, the CBC and the National Film Board in her design projects. Alex studied illustration and art direction at the Alberta College of Art and Design, received her design degree in visual communication from Nova Scotia College of Art and Design University, and her Master’s in Applied Art, media stream, from Emily Carr University. She has taught various aspects of design at Emily Carr University, Simon Fraser University, and British Columbia Institute of Technology for the past 18 years.

Ken Jeffery instructs in print technology and communication design for the Digital Arts Department at British Columbia Institute of Technology. He holds a Master’s of Arts in Learning and Technology from Royal Roads University, where he researched strategies for effectively implementing social media in the classroom. Prior to a move to the world of higher education, Ken spent over 18 years in the printed communications industry. Starting out composing hand-set type for letterpress, he moved quickly to adopt digital design and web2print workflows. As a business owner working on all aspects of business from sales and marketing to production and fulfillment, he brings hands-on experience to today’s modern classroom, and he is eager to share his experience with the next generation of visual communicators.

Alan Martin has a Bachelor of Fine Arts in printmaking from the University of Victoria. He has been involved professionally in the graphic arts since 1977, first in traditional film assembly and then in electronic pre-press from its early days in the 1980s onward. For the past 11 years he has worked for Kodak, supporting their pre-press workflow products. Alan is currently product support manager for the InSite family of web-based review applications. He teaches several courses at British Columbia Institute of Technology, including Colour Management Systems.

Roberto Medeiros is a production print solution engineer with Ricoh Canada. His career in the copier and digital printing industry began in 1988 as a copier technician. In 2000, his role was transitioned to exclusively supporting colour and production print solutions. In 2012, Roberto joined the Graphic Communications Technology Program at British Columbia Institute of Technology as a part-time instructor teaching Advanced Digital Imaging. In 2015, he achieved his Idealliance Color Management Professional – Master certification.

Steven Tomljanovic has been recognized as a leader in web2print and variable data with over 15 years of experience in IT and almost 10 years of experience in the print industry. He was a part of the first graduating class of the British Columbia Institute of Technology GTEC printing program. Upon graduation, Steven helped companies build their online business presence with great success. He has been honoured with PrintAction magazine’s PA35, awarded to the top 35 industry leaders under the age of 35 in Canada. Steven shares his passion by teaching e-commerce, web2print, and web marketing courses at British Columbia Institute of Technology in the GTEC and New Media & Design Programs within the School of Business. Steven currently works as the web2print specialist at MET Fine Printers, located in Vancouver BC.