Guide to Ancient Etruscan Art
Ruth Ezra
Beth Harris
Steven Zucker
Copyright Year:
Publisher: Smarthistory
Language: English
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Attribution-NonCommercial-ShareAlike
CC BY-NC-SA
Reviews
This text is a great introduction to Etruscan Art. The authors explain Villanovan precursors, geographical settings, and archaeological contexts. This guide also places Etruscan art in wider Mediterranean art historical settings. It covers all of... read more
This text is a great introduction to Etruscan Art. The authors explain Villanovan precursors, geographical settings, and archaeological contexts. This guide also places Etruscan art in wider Mediterranean art historical settings. It covers all of the major time periods of Etruscan Art - using one or two examples from each. This guide could be more comprehensive by examining more examples of art. The introduction is superb but it could use a closing.
The guide is accurate. The prose is unbiased in its presentation and form. The authors do a good job of introducing concepts and explaining them for a reader that is not familiar with Etruscan and/or art historical terminology.
This guide contains the most relevant examples of Etruscan Art. If any updates were necessary they would be easy to implement.
This guide is very clear. The text is written in an accessible prose without sacrificing the academic nature of the guide.
The terms used to reference the art remain consistent throughout the text. The framework alternates between standard academic prose and transcripts of conversations between the authors. At first this could be distracting, but it creates a diversity of text that is interesting to a variety of readers. At times, a transcript of a conversation will accompany a standard article on the same topic.
This book relies on several transcripts of conversations between the authors while looking at art in museums. For some this format is helpful, and for others it can be distracting. Instructors should be aware and guide students accordingly.
The text is well-organized and easy to follow. The chapters are set up by art and culture but one can see a chronological timeline. The chapters are easy to access.
The interface is straightforward and easy to navigate within a pdf format. There are a few spacing errors in the text - with rows aligned differently from the rest of the lines in a paragraph.
This guide is free from grammatical errors.
The authors do a good job of acknowledging the geographical and cultural contexts of Etruscan Art. Several examples of art are housed in collections outside of Italy, where the greatest collections of Etruscan art are housed. The text could use more examples of art from museums in Italy, more from the Villa Giulia in Rome or the Archaeological Museum in Arezzo. The examples from the National Archaeological Museum in Florence are some of the best in the guide.
This guide is a great introduction to Etruscan Art. It is well-used in the context of a survey course.
Excellent choice of images and clear information addressing each topic or period within each chapter in this well written text. The inclusion of a short chapter, "Bucchero, a black, burnished ceramic ware," by Jeffrey A. Becker, was of particular... read more
Excellent choice of images and clear information addressing each topic or period within each chapter in this well written text. The inclusion of a short chapter, "Bucchero, a black, burnished ceramic ware," by Jeffrey A. Becker, was of particular interest. The history of a civilization and culture is often revealed in the objects they value, their use, how they are created and for whom, or why they were created along with the processes discovered or cherished during a certain time period. Ceramic ware is not always emphasized in art history books. The images of work from the Metropolitan Museum, used as examples, made me want to learn more about the ancient Etruscan culture and history. The beautiful explanation of the process involved in making Bucchero ware, could also be referenced and incorporated in a studio art ceramic course. This text incorporates content in an accessible, easy to read text, while connecting new vocabulary, historical influences and processes in a context for understanding Etruscan art.
I believe on on p 8 of text the author states "thickness of fabric" and believe it should be "thickness of clay" but possibly the use of the word "fabric" was meant to mean something broader but it seemed odd to me.
History is relevant and the sources used for writing content are exceptional.
Easy to read and well written.
The framework as outlined in Table of Content and within each chapter is consistent, understandable and easy to peruse.
The chapters and topics are approached in strong understandable order and one that makes sense to a new reader or someone that already has some understanding of the Etruscan art.
Clearly organized and easy to find topics in the text/chapters.
Worked beautifully for me.
None that I saw.
Seems respectful and scholarly.
Diagrams and images chosen were excellent.
Table of Contents
Part I. Etruscan art
- 1. The Etruscans, an introduction
- 2. Bucchero, a black, burnished ceramic ware
- 3. Temple of Minerva and the sculpture of Apollo (Veii)
- 4. Apulu (Apollo of Veii)
- 5. Sarcophagus of the Spouses (Louvre)
- 6. Sarcophagus of the Spouses (Rome)
- 7. Sarcophagus of the Spouses (Rome)
- 8. Tomb of the Triclinium, Tarquinia
- 9. The Francois Tomb, Vulci
- 10. Tomb of the Reliefs, Cerveteri
- 11. The Chimera of Arezzo
- 12. Bronze Mars of Todi
- 13. Aule Metele (Arringatore)
Ancillary Material
Submit ancillary resourceAbout the Book
This book contains all of Smarthistory’s content for the Ancient Etruscan art.
About the Contributors
Editors
Ruth Ezra is a doctoral candidate at Harvard University, where she specializes in the art of late-medieval and Renaissance Europe. Upon completion of her BA at Williams College, she studied in the UK on a Marshall Scholarship, earning an MPhil in history and philosophy of science from the University of Cambridge and an MA in history of art from the Courtauld Institute. A committed educator, Ruth has recently served as a Gallery Lecturer at both the Museum of Fine Arts, Boston and the National Galleries of Scotland, as well as a Teaching Fellow at Harvard.
Beth Harris is co-founder and executive director of Smarthistory. Previously, she was dean of art and history at Khan Academy and director of digital learning at The Museum of Modern Art, where she started MoMA Courses Online and co-produced educational videos, websites and apps. Before joining MoMA, Beth was Associate Professor of art history and director of distance learning at the Fashion Institute of Technology where she taught both online and in the classroom. She has co-authored, with Dr. Steven Zucker, numerous articles on the future of education and the future of museums, topics she regularly addresses at conferences around the world. She received her Master’s degree from the Courtauld Institute of Art in London, and her doctorate in Art History from the Graduate Center of the City University of New York.
Steven Zucker is co-founder and executive director of Smarthistory. Previously, Steven was dean of art and history at Khan Academy. He was also chair of history of art and design at Pratt Institute where he strengthened enrollment and lead the renewal of curriculum across the Institute. Before that, he was dean of the School of Graduate Studies at the Fashion Institute of Technology, SUNY and chair of their art history department. He has taught at The School of Visual Arts, Hunter College, and at The Museum of Modern Art. Dr. Zucker is a recipient of the SUNY Chancellor’s Award for Excellence in Teaching. He has co-authored, with Dr. Beth Harris, numerous articles on the future of education and the future of museums, topics he regularly addresses at conferences around the world. Dr. Zucker received his Ph.D. from the Graduate Center of the City University of New York.