
Foundational Sight Singing
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Tobin Stewart, Montana State University
Copyright Year:
Publisher: TRAILS
Language: English
Formats Available
Conditions of Use
Attribution-NonCommercial-ShareAlike
CC BY-NC-SA
Reviews
Reviewed by Sean Taylor, Associate Professor, The University of Texas Rio Grande Valley on 1/1/26
The book covers examples in all keys and most time signatures that students will encounter in repertoire. read more
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Reviewed by Sean Taylor, Associate Professor, The University of Texas Rio Grande Valley on 1/1/26
Comprehensiveness
The book covers examples in all keys and most time signatures that students will encounter in repertoire.
Content Accuracy
The content of the book is accurate. There were no noticed errors in content, directions, or exercises.
Relevance/Longevity
The content of the book is relevant and current with best practices. It would be best if the author took a stronger stance advocating for moveable Do (or numbers) and use of a metronome rather than only suggesting them.
Clarity
Terminology used is all accurate and comprehendible.
Consistency
The progression of each chapter and concept is consistent and clear.
Modularity
Each module focuses on one concept. Breaking them down further may not allow students to fully grasp the concept, but that is not detrimental since modules are appropriately sized.
Organization/Structure/Flow
As a comprehensive textbook, It is not clear whether this text in intended for students with some sight-singing knowledge or if they should come in fresh. Some basic concepts, specifically compound time signatures, aren't addressed until chapter 6.
Interface
The interfaces used in the text are simple and effective.
Grammatical Errors
There were no noticed errors in grammar.
Cultural Relevance
There were no noticed references to culture in this text, and therefore also no noticed insensitivities.
Commentsregarding the melodies used by the author, it is challenging to create melodies that are singable by all voice types that may be enrolled in a class, but a concerning majority of the melodies reach to an extreme low range, making them quite difficult/frustrating/impossible to sing for soprano, tenor, or higher alto/baritone voices. That could cause students to become unnecessarily frustrated as they are developing their musical skills and vocal skills as part of the target demographic of this text.
Reviewed by Dr. John Shiu, Part-Time Lecturer, Bridgewater State University on 5/27/25
Stewart's sight-singing book is very comprehensive with listening, drone, and notation skills being implemented. read more
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Reviewed by Dr. John Shiu, Part-Time Lecturer, Bridgewater State University on 5/27/25
Comprehensiveness
Stewart's sight-singing book is very comprehensive with listening, drone, and notation skills being implemented.
Content Accuracy
This OER textbook is accurate as one could get.
Relevance/Longevity
This book could easily replace any other sight-singing book.
Clarity
Nothing too complex as the components are explained and exercised well.
Consistency
The terminology is spot on.
Modularity
The structure makes a lot of sense and is comprehensive.
Organization/Structure/Flow
This book is well-organized for students to focus on skills that need to be worked on.
Interface
There are no navigation issues.
Grammatical Errors
The grammar and sentence structure is simple.
Cultural Relevance
This doesn't necessarily address any particular background.
CommentsThis is great resource which should be utilized in a OER format.
Table of Contents
- Introduction to the Melodic Chapters
- Chapter 1
- Introduction to the Rhythm Chapters
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
About the Book
Sight reading music can be a daunting endeavor for aspiring, and even experienced, musicians. Foundational Sight Singing was created to provide a systematic approach to learn to read, hear and perform music. The ordered presentation of both melodies and rhythms in this text helps students develop accuracy and fluency in sight singing which is a fundamental skill for all musicians. It is a text for developing proficiency in reading and sight singing that can be used in a variety of contexts from individual practice to choral or instrumental ensemble rehearsals to college ear training courses. Multiple exercises are provided for drilling and practice at each level throughout the text to grow the students’ fluency and proficiency in reading and performing pitch and rhythm. This text will help students build a solid foundation upon which they can establish mastery.
About the Contributors
Author
Tobin Stewart, Montana State University