tag:open.umn.edu,2005:/opentextbooks/subjects/humanities?page=5Open Textbook Library - Humanities Textbooks2023-05-02T22:43:05Zhttps://open.umn.edu/assets/common/favicon/favicon-1594c2156c95ca22b1a0d803d547e5892bb0e351f682be842d64927ecda092e7.icohttps://open.umn.edu/assets/library/otl_logo-f9161d5c999f5852b38260727d49b4e7d7142fc707ec9596a5256a778f957ffc.png14192023-05-02T22:43:05Z2024-03-17T01:20:37ZReading and Writing Successfully in College: A Guide for Students<img alt="Read more about Reading and Writing Successfully in College: A Guide for Students" title="Reading and Writing Successfully in College: A Guide for Students cover image" class="cover " width="768" height="994" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NjU1NCwicHVyIjoiYmxvYl9pZCJ9fQ==--41a1fdb16cfaf863010ae85bd9778f893732ff24/081622_RotelProject_Composition-Lynne-11024_1-768x994.jpg" />This textbook provides students with guidelines for understanding writing tasks as intellectual work using Bloom’s Taxonomy and for treating the writing process as a set of variable activities that move along a trajectory from idea or assignment to a finished product. The book also includes chapters on strengthening reading strategies and on finding, evaluating, and using sources effectively.14182023-05-02T21:59:11Z2023-10-09T14:25:46ZWorld History Volume 1: to 1500<img alt="Read more about World History Volume 1: to 1500" title="World History Volume 1: to 1500 cover image" class="cover " width="271" height="354" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NjU0NywicHVyIjoiYmxvYl9pZCJ9fQ==--3058e70f8044c8879c9e2d07354eed7d0059dee0/Screenshot%202023-05-02%20at%201.48.21%20PM.png" />World History, Volume 1: to 1500 is designed to meet the scope and sequence of a world history course to 1500 offered at both two-year and four-year institutions. Suitable for both majors and non majors World History, Volume 1: to 1500 introduces students to a global perspective of history couched in an engaging narrative. Concepts and assessments help students think critically about the issues they encounter so they can broaden their perspective of global history. A special effort has been made to introduce and juxtapose people’s experiences of history for a rich and nuanced discussion. Primary source material represents the cultures being discussed from a firsthand perspective whenever possible. World History, Volume 1: to 1500 also includes the work of diverse and underrepresented scholars to ensure a full range of perspectives.13192023-05-01T14:54:19Z2024-01-22T19:20:49ZOriginal Études for the Developing Conductor<img alt="Read more about Original Études for the Developing Conductor" title="Original Études for the Developing Conductor cover image" class="cover " width="327" height="426" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY0NCwicHVyIjoiYmxvYl9pZCJ9fQ==--71b325429db8a6816704596b35d8a6f031dcc9a3/Cover-Etudes-thumbnail.png" />Original Études for the Developing Conductor is a collection of supplemental études designed to enhance contemporary conducting pedagogy by amplifying the voices of composers from historically excluded groups. Each étude was commissioned from and composed by a living composer, the majority of whom are woman-identifying composers and/or composers of color. Each étude also addresses multiple specific pedagogical goals common to all conducting classrooms. Conducting textbooks commonly include musical examples to expose student conductors to various musical challenges and situations. However, due to the relative ease of using only music from the public domain, most examples found in commercially published books are excerpts of larger works composed by deceased cisgender white men of European descent. Often, this music bears little relation to a significant portion of the music contemporary students engage with and perform. These excerpts also tend to be quite short (i.e., less than a minute) and do not create cohesive, self-contained musical arcs. Instructors adopting or reviewing this text are encouraged to record their use on this form: https://bit.ly/original-etudes-interest. This helps the book's sponsors to understand this open textbook's impact. This project was made possible in part by financial support from the University Libraries at Virginia Tech Collaborative Research Grant, University of North Carolina at Greensboro University Libraries’ Textbook Affordability Program (TAP) Grants, and additional funding, technical, and publishing support from the Open Education Initiative of the University Libraries at Virginia Tech.14142023-04-29T23:44:09Z2024-02-23T19:21:18ZIntroduction to College Research<img alt="Read more about Introduction to College Research" title="Introduction to College Research cover image" class="cover " width="768" height="1002" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NjUwMywicHVyIjoiYmxvYl9pZCJ9fQ==--e2a627ce260ee8e0a9353897ac62d57d44868692/OER-CollegeResearch-Cover-HappyNewYear-scaled-1-768x1002.jpg" />This book acknowledges our changing information landscape, covering key concepts in information literacy to support a research process with intention. We start by critically examining the online environment many of us already engage with every day, looking at algorithms, the attention economy, information disorder and cynicism, information hygiene, and fact-checking. We then move into an exploration of information source types, meaningful research topics, keyword choices, effective search strategies, library resources, Web search considerations, the ethical use of information, and citation.13982023-04-24T13:19:55Z2023-08-31T14:10:29ZPublic Speaking as Performance Subtitle: Practicing Public Speaking in the Theatre & Performance Classroom<img alt="Read more about Public Speaking as Performance Subtitle: Practicing Public Speaking in the Theatre & Performance Classroom" title="Public Speaking as Performance Subtitle: Practicing Public Speaking in the Theatre & Performance Classroom cover image" class="cover " width="750" height="1000" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NjAxNSwicHVyIjoiYmxvYl9pZCJ9fQ==--46cd6419b9a5782127aae2eda010dae34c3e63e2/PSPe1_Cover-1.png" />Public Speaking as Performance: Practicing Public Speaking in the Theatre & Performance Classroom is an innovative public speaking textbook written by theatre educators. It combines the essential elements of speechwriting with the tried and true skills that actors learn to communicate a story to an audience. In chapters such as “Actor Tools for Public Speakers” and “From Page to Stage,” the textbook provides students with a creative and accessible approach to delivering speeches. Drawing on the tradition of teaching public speaking in theatre and drama departments—a practice that is still maintained in some institutions—this textbook emphasizes the performative nature of communication. Educators teaching public speaking in theatre and performance departments will find this a textbook particularly suited to the interests of their students.13952023-04-10T17:22:34Z2024-01-22T14:52:43ZTrayectos 2: Más sobre mí 2<img alt="Read more about Trayectos 2: Más sobre mí 2" title="Trayectos 2: Más sobre mí 2 cover image" class="cover " width="402" height="540" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY4NCwicHVyIjoiYmxvYl9pZCJ9fQ==--a28b62de9b8f4876245d2d8bfd45b02635ca4b16/Screenshot%202023-04-10%20at%2012.22.17%20PM.png" />Trayectos is an open curriculum for beginning second language (L2) learners of Spanish. The textbook offers the following features to L2 Spanish students and instructors: Learner-centered fresh, multimodal content, based on Learning by Design, a pedagogy inspired by the Multiliteracies movement (Kalantzis et al., 2005, 2016, 2019; Zapata, 2022). The four modules in Volume I connect the life worlds of learners with the life worlds of diverse Spanish speakers. Instruction incorporating the following features: Multimodal texts (e.g., readings, videos, posters) based on a variety of textual genres that contextualize topics about the lives of real university students; Communicative activities that bind language form to cultural meaning within real-life contexts, and offer students opportunities to discover how to use new Spanish vocabulary and grammar in diverse sociocultural situations; Critical thinking and language awareness tasks that showcase different varieties of Spanish, including those spoken in the United States, and help learners explore the Spanish-speaking world, including local Hispanic/Latinx communities; and Culminating tasks that oblige learners to synthesize their new linguistic and cultural knowledge into a personal, multimodal text. Supplementary digital resources that provide students with opportunities to practice the content learned through self-correcting activities (Práctica individual) and to use Spanish to broaden their knowledge of and critically analyze issues related to diversity, equity, and inclusion in the Spanish-speaking world (Voces de nuestro mundo; available at http://bit.ly/VocesMundo). An open copyright license (Creative Commons license) that gives all users the right to adapt the textbook and to share their new content with others, and digital how-to sections for instructors to answer their students’ unique needs.13942023-04-10T17:17:34Z2024-03-05T04:33:43ZTrayectos 1: Mi vida en la universidad 1<img alt="Read more about Trayectos 1: Mi vida en la universidad 1" title="Trayectos 1: Mi vida en la universidad 1 cover image" class="cover " width="384" height="497" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY4MywicHVyIjoiYmxvYl9pZCJ9fQ==--0a683666b9dc6bc16868459ee98ad45f2bd98464/wpmzjp-front-shortedge-384.jpg" />Trayectos is an open curriculum for beginning second language (L2) learners of Spanish. The textbook offers the following features to L2 Spanish students and instructors: Learner-centered fresh, multimodal content, based on Learning by Design, a pedagogy inspired by the Multiliteracies movement (Kalantzis et al., 2005, 2016, 2019; Zapata, 2022). The four modules in Volume I connect the life worlds of learners with the life worlds of diverse Spanish speakers. Instruction incorporating the following features: Multimodal texts (e.g., readings, videos, posters) based on a variety of textual genres that contextualize topics about the lives of real university students; Communicative activities that bind language form to cultural meaning within real-life contexts, and offer students opportunities to discover how to use new Spanish vocabulary and grammar in diverse sociocultural situations; Critical thinking and language awareness tasks that showcase different varieties of Spanish, including those spoken in the United States, and help learners explore the Spanish-speaking world, including local Hispanic/Latinx communities; and Culminating tasks that oblige learners to synthesize their new linguistic and cultural knowledge into a personal, multimodal text. Supplementary digital resources that provide students with opportunities to practice the content learned through self-correcting activities (Práctica individual) and to use Spanish to broaden their knowledge of and critically analyze issues related to diversity, equity, and inclusion in the Spanish-speaking world (Voces de nuestro mundo; available at http://bit.ly/VocesMundo). An open copyright license (Creative Commons license) that gives all users the right to adapt the textbook and to share their new content with others, and digital how-to sections for instructors to answer their students’ unique needs.13922023-04-09T22:54:45Z2024-01-22T14:52:43ZLa hora del cuento en español<img alt="Read more about La hora del cuento en español" title="La hora del cuento en español cover image" class="cover " width="350" height="453" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY3NSwicHVyIjoiYmxvYl9pZCJ9fQ==--7785d36e95fe5aa4964504a351a343bbbce380ed/OE_Pressbooks-Cover_LaHoraDelCuentoEnEspanol_Mar13-350x453.jpg" />La hora del cuento en español is a collection of children’s stories in Spanish authored by Kwantlen Polytechnic University (KPU) students and edited by KPU Faculty Constanza Rojas-Primus and KPU alumna Sofía Rodríguez. The first part of this collection is a selection of stories written by KPU Spanish 1100 students between Fall 2017 and Spring 2019 as a result of a collaboration between KPU Spanish and Guildford Public Library Language Literacy Program “Storytime in Spanish”. The second part of this collection is a selection of stories written by KPU Spanish 1101 students between Fall 2020 and Spring 2022 as a result of an interuniversity collaboration in support of UNESCO´s Sustainable Development Goals Agenda 2030. All stories are narrated by Constanza Rojas-Primus and have been translated into English by Sofía Rodríguez. The illustrations in the cover and first part of this collection are artwork of KPU Fine Arts student Cheyenne Pokeda.13902023-04-03T22:41:02Z2024-01-22T14:52:43ZSupporting English Language Learners in First-Year College Composition<img alt="Read more about Supporting English Language Learners in First-Year College Composition" title="Supporting English Language Learners in First-Year College Composition cover image" class="cover " width="750" height="1000" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY2OSwicHVyIjoiYmxvYl9pZCJ9fQ==--788a0c1fe9d0b7a63382de9d0f1bcd4a703170e8/supporting-book-cover.jpg" />Supporting ELLs in FYC is organized around five key essays, selected to coordinate with the essay styles commonly taught in first-year/first-semester composition courses. This organization is planned to offer instructors the flexibility to best support the pacing of the composition course. There are 2 expository, 1 narrative, and 2 argument essays. Each module includes one essay, with accompanying activities and supporting materials. Expository: Sweet, Sour & Resentful Expository: Why Rituals Are Good Narrative: Prison to Professor Argument: Fake News Argument: Misinformation13882023-04-03T20:25:45Z2024-01-22T14:52:43ZProcesses: Writing Across Academic Careers<img alt="Read more about Processes: Writing Across Academic Careers" title="Processes: Writing Across Academic Careers cover image" class="cover " width="131" height="170" data-controller="cover" data-placeholder="/assets/common/placeholder-0e0607cbc50663ddb9e8fd188058bcd2630c730ef6ee322801278607b7d5af8e.png" src="/rails/active_storage/blobs/redirect/eyJfcmFpbHMiOnsiZGF0YSI6NDY2NywicHVyIjoiYmxvYl9pZCJ9fQ==--eb7756c87093650c3f25327d1d1e59e8279f6ac3/Cover-ebook-Iverson-131x170.jpg" />Processes: Writing Across Academic Careers is an edited collection featuring writing from students, faculty, and staff at Farmingdale State College, a State University of New York (SUNY) campus on Long Island. Each contributor reflects on their own writing as well as writing in their fields/disciplines. Namely, they reflect on their writing processes, hence the name of the book. The FSC Writing in the Disciplines committee curated excerpts of published or unpublished work from faculty, students, and administrators across departments and offices. The result is Processes: Writing Across Academic Careers, a collection of writing samples and reflections on the processes that made those pieces of writing possible. This book shows that, while writing looks and functions differently in different disciplines, college communities center on writing. From the college president to the faculty to the students, each member of the community grapples with writing, even in disciplines not considered to be writing-intensive. The text features compositions from nursing, STEM and health sciences, education, and history and culture. The examples span from reflections on the role of writing in one’s academic career, examples of professional writing in the sciences, research papers, conference proposals, to laboratory reports. The examples of published or works-in-progress are accompanied by thoughtful reflections on how the author crafted their work. The collection presents an opportunity for scholars to acknowledge the centrality of writing in their everyday work. Students learning how to write in college and about writing conventions in their specific disciplines will gain an overview of writing they will encounter in their academic career and an appreciation for the multitudes of ways writers work. Perfect for introductory writing courses, and useful modularly for any class that touches on writing or information literacy, this text is a unique, honest, and practical resource for any undergraduate.
https://open.umn.edu/opentextbooks/subjects/humanities?page=4
https://open.umn.edu/opentextbooks/subjects/humanities?page=6